Activations

Activations

by Mario A. Campanaro

1.

“The actor’s life is not an easy road to travel. You may have to walk through many peaks and valleys, surf many tumultuous waters, and inevitably weather many unexpected storms. But when your love for the dream outweighs the obstacles that come with it, you’ll know you’re on the right path.”

2.

“What’s your relationship to commitment? Do you wait, stall, or make excuses to avoid holding yourself accountable for what you say you want? You say you love this art form—so what could be better than committing fully to what you truly want? Too often, we sacrifice what we want most for the quick fix of what we want right now. But in acting, commitment isn’t optional—it’s essential. It’s the key to artistic excellence and lasting success. And it takes self-discipline to stay committed. Because if you don’t hold yourself accountable, I promise you—someone else will.”

3.

“You don’t need a paycheck to call yourself an actor. You need one to live—but that’s not what makes you an actor. Neither does a great headshot or top-tier representation. None of that defines the core. What does? Talent, imagination, skill, accountability, responsibility, vulnerability, bravery, insight, empathy, compassion, understanding, passion, perseverance, and an unshakable belief in your gifts. And above all, you act—no excuses, no matter what. You find a way. That’s what gives you the right to call yourself an actor.”

4.

“Acting is not for the faint of heart; it is for the full of heart. The art exists within a business, and the business exists because of the art. To survive this complex world, you must possess the skill of a technician to support your talent, the savvy of a CEO to manage yourself as a business, and the armor of a gladiator to endure the industry’s ups and downs — all while maintaining the vulnerability, imagination, and playfulness of a child to truly do the creative work.”

5.

“Before anything else, you have to wake up, look in the mirror, and love who you are and what you see—accept yourself fully, because you’re all you’ve got. You are the instrument; there’s nothing else to play. So love what you’ve labeled as ‘flaws’ and ‘imperfections’—and especially love that little child inside, still longing to be seen and heard. Stop trying to blend into the crowd—that’s the audience. The stage and screen crave the black sheep—the ones who own their uniqueness and inevitably stand out. That’s where the eye naturally goes. Embrace yourself—because that is a gift.”

6.

“Artists need to support artists. Period. In a world where we endlessly scroll through social media, mindlessly clicking ‘like’ on whatever catches our eye, it’s worth asking: how much of that support is directed toward your fellow creators, your artistic peers, and the community you belong to? If artists aren’t lifting each other up—especially now, when funding and support for the arts are more scarce than ever—what are we left with? It’s time to set aside competition and embrace a spirit of generosity. Start showing the same support you often seek for yourself. After all, birds of a feather flock together.“

7.

“You can never truly predict how you’ll feel in any given moment, so stop trying to preplan it. Let go of yourself. Don’t aim for a forced emotional outcome as your idea of success in a scene—that’s not truth; it’s simply bad acting, and it’s not how our emotional life naturally unfolds. Instead, actively and energetically listen through the filter of your character’s point of view on the circumstances, and stay open to what is. That’s how humans function. Allow yourself the chance to be surprised by the authenticity of the moment.”

8.

“Life isn’t a cartoon. You can’t simply wish upon a star and expect your dreams to come true; you have to put in the work. For an actor, much of that work is sweat equity, and you must have faith in your efforts until the fruits of your labor manifest. Don’t focus on how it happened for someone else or on when or how it will happen for you—you have no control over that. Focus on what you can control: your craft, your artistic growth, persevering, holding your work to the highest professional standard, and trusting that what you want is already unfolding for you in the way that’s right for you.”

9.

“An actor once asked me, ‘How do you know when the training is working?’ I told them that when you stop thinking about the training itself, that’s when you know it’s truly taking hold. It’s when you’ve let go of self-consciousness, thrown caution to the wind, and are genuinely listening—not just with your ears, but with your heart and soul. It’s when you take everything that comes at you, under the given circumstances, personally. It’s when you feel free, living instinctively and impulsively, moment to moment, without overthinking. That’s when you know—the training is no longer just training. It’s a craft you’ve owned, producing real, truthful acting.”

10.

“Acting isn’t about competition; it’s about collaboration. You’re not up against anyone. Either the role is meant for you, or it’s not. When the time is right, what’s meant for you will come. If you want competition, pursue a sport. If you seek collaboration, pursue acting. Neither is better than the other. Both beautifully rely on teamwork. One aims to win by defeating the opposing team, while the other comes together to overcome silence, invisibility, oppression, and suffering by revealing the vast stories of the collective human experience.”

11.

“The actor must first approach the character as a psychiatrist, delving deeply into the character’s psyche and then fully embody their life as the patient. The psychiatrist’s role is to explore the histrionic background that shapes the character’s motivations, seeking to understand the ‘why’ behind their perspective and actions. Simultaneously, the actor must fully internalize that character’s point of view, owning it in the depths of their soul, so that they are driven to act behaviorally in alignment with that unique lens on life.”

12.

“The actor is like a lantern. As long as the flame burns, light will radiate. The intensity of that light depends on how much the flame is stoked and tended to. As an actor, whatever lives within you—all of those delicious givens—will be revealed only to the extent that they are truly endowed and alive within your being. You don’t need to ‘show’ anything; it all simply needs to be present, vibrant, and alive within your soul.”

13.

“The greatest success an actor, or any artist for that matter, can ever experience comes from the trustworthy ally within— that part of you, deep in your heart and soul, that knows exactly who you are, what gifts you have been blessed with, and what you were meant to do with those gifts. You are an actor, an artist. Know this now and always, and never, ever let anyone or anything steal that knowing away from you.”

14.

“The craft of acting takes work—discipline, commitment, accountability, consistency, dedication, and devotion. It cannot remain theoretical; it must be humanized. Our craft can only support us to the extent that it becomes part of who we are—sophisticated yet instinctive, ready yet impulsive, and accessible yet adaptable to meet the vast and often complex demands of our work.”

15.

“If a violin is out of tune, you simply tune it up—you don’t beat it up, or it won’t be able to make music. The same goes for you, the actor. If you’re ‘out of tune,’ just tune yourself up. Don’t beat yourself up, or you won’t be able to use your instrument to play the life within the circumstances.”

16.

“Your acting teacher is not your mom, dad, best friend, or therapist. Your acting teacher is your acting teacher, there to help cultivate your craft while nurturing and bringing forth the best of your innate talent. It is crucial to always take your notes as your professional actor self, not your child self. Take the note, but do not hold onto it.”

17.

“Everyone talks about listening in acting, but do you truly grasp it on a visceral, human level? To truly listen, you must do more than just hear—you must physically and energetically take in the world around you with your whole being, filtered through your point of view, wants, and needs, shaped by the circumstances, relationships, and environment you’re in. When you truly listen, you will be changed.”

18.

“All characters function from a place of love received, love unreceived, and survival, and many branches grow from these roots, shaping how one perceives and responds—behaviorally, mentally, and emotionally—to their world, circumstances, relationships, environment, wants, needs, and obstacles.”

19.

“Casting directors, directors, producers, and audiences don’t care about your little blue checkmark— they care about your talent. If you’re spending more time on social media than honing your craft, ask yourself: Do you want to be an influencer or an actor? If it’s acting you want, commit to it—hone your craft and approach it like a professional.”

20.

“All human beings are doing what they can, moment to moment, to improve their present situation. When you understand this fundamental truth, you can adopt the characters, filtered, listening, shaped by their point of view on circumstances, and the justification behind their wants, needs, and actions.“

21.

“Your technique is not your acting; it is a set of reliable tools that consistently enable you to do your best and most truthful work. It marries your innate talent with skill, rather than relying on ‘hope’ or ‘luck’ for it to go well. True technique liberates the actor—it does not stifle them.”

22.

“One of the best-kept secrets an actor holds is the lifelong journey of embracing ‘mistakes’, learning from ‘failures’, and investing all the sweat-equity to create work that is truthful, compelling, subtle, simple, and effortless.“

23.

“All the homework you do as an actor is only as good as it works for you to do the actual work of living, truthfully, moment to unknown moment, within the circumstances. What do you use for that creative process is deeply personal and no one‘s damn business!“

24.

“As long as we are alive, we will continue studying our craft, for life is an endless, unpredictable lesson – just like every text we encounter. Approach the work as a professional actor and artist, not as an academic student.”

25.

“This isn’t just about technique; it’s about humanity – our humanity. It is not meaningless. Every human story holds within it the inherent worth to be witnessed because we are all part of the essential fabric woven together. In this thing we call ‘Life’.“

26.

"Do not mistake technique, tools, or the craft of acting for the truth within acting itself. How you get there is personal—and all that matters is that your process gets you there, aligns fully with the givens, and allows the work to be truthful, convincing, and alive. Your technique, and all essential aspects of the craft, are the artist’s GPS: an ever-evolving, uniquely endowed creative process that guides you, the actor, toward living fully, freely, and truthfully within the gap of each and every circumstantial moment of the work."

27.

“Your director is not your acting teacher. They are not there to teach you how to do your job. Auditioning for a role is one thing; being able to truly deliver if you book it is another. If hired, it’s assumed you already have the talent, skill, consistency, and stamina to do the work. That’s why we continue to study and train—to work those muscles so that when the opportunity comes, we’re not relying on luck or hope, but on our talent and skill, knowing we can deliver. A practiced actor is a prepared actor, and preparation meets opportunity with professional reliability and a solid, trustworthy reputation.”

28.

"The actor is a creative warrior—one who chooses perseverance, even when it may seem easier to give up and crumble. The creative warrior does not think or exclaim, ‘I can’t!’ The creative warrior simply states, with unwavering resolve: ‘I will find a way.’"

29.

"At the end of each day, check your screen time—then compare it to how much time you actually spent on the thing you say you want to do: 'act.' 'To act' means 'to do,' not 'to scroll.' You won’t get there by swiping through an endless stream of acting tip reels, no matter how insightful they may be. As actors, this hypnotic social media state isn’t just stealing your time—it’s chipping away at your ability to concentrate, dulling your imagination, and pulling you further from real human connection. You’ve got to get up, get in the space, and do the work. Actively. Consistently. It’s the only way. If you really want it, don’t make excuses. Do it!"

30.

“You’ll know your creative tribe when you can live your authentic self in each other’s presence. You’ll never walk away feeling lonely. There will always be a deep connection, generosity of spirit, and shared inspiration to create meaningful artistic endeavors. Seek those who lift you up and ignite your curiosity, imagination, and creativity. Run like hell from those who try to cut your wings and hold you down. Fly free with your flock. Just like a seed thrives in the right soil, your growth depends on the environment that nurtures you to become what you’re meant to be.”

31.

"We often hear there is no "right or wrong way" in acting—and to a point, that’s true. However, one thing must always be remembered: the given circumstances. They are non-negotiables. Your work means nothing without fully honoring what is in the text. It doesn’t matter how impulsive or instinctive a moment feels unless it aligns with those givens. Your civilian, everyday life is not the character’s life—that is your life. You must comb through the text, breathe life into the givens, and channel them through your instrument. Once those circumstances live in your bones, only then will your instincts and impulses be justified, motivated, and truly alive—moment to moment—through your active, filtered listening."

32.

“If you keep hiding from yourself, how will you ever discover the truth of the character within you? It’s time to take off not just the many masks you wear for the external world, but the ones you wear within. Only from the treasures of your truth can you express the truth. Don’t you see? You are the gift. Take that gift, run with it, and live it—without apology. After all, your truth is your perfection. And nothing is worth hiding that. If others say, 'you’re just too much,' maybe it’s only because they were never enough."

33.

"Acting without a sense of joy is like climbing a mountain without energy—it leads to burnout and makes it impossible to continue. Joy is an essential ingredient for creativity. If you find yourself lacking joy and enthusiasm for the work, don’t blame the work itself; instead, examine your relationship to it."

34.

"If you want to achieve something—anything at all—you must first develop your WILL. Cultivate it, strengthen it, and let nothing mitigate it. Your WILL is a creative fire, and it’s your responsibility to keep it fueled. Then, use the power of your IMAGINATION—that movie projector in your mind—with vivid detail and specificity. See exactly what you want, what it looks like, and what it feels like, as if it has already materialized. Keep it to yourself, hold it close, and stay focused. Don’t try to force when or how it will happen—just trust that it WILL. Like planting a seed, do the work, water it, nurture it, and allow the unseen to bring it to life. Have faith. Trust. Dreams are meant to be realized, not left in the dream-state. You are not as powerless as you’ve been led to believe."

35.

"The imagination is the actor’s limitless creative power. It knows no boundaries other than those you place upon yourself, preventing you from exploring the unexperienced. Do not limit yourself to personal experience. Go beyond, and use questions and curiosity as tools for questing into the unknown. Inevitably, you will be there—because you will always live within your imagination. Everything you feel you’re missing can be found within the limitless storehouse of your internal universe—that movie in your mind. It may be buried deep beneath many accumulated layers, but if you keep mining your soul, you will uncover the unspoken treasure you’ve been looking for."

36.

"You must have a more intimate, committed relationship with your work than you do with your cell phone and all the apps on it. The actor must train their mind to leave their personal life at the stage door. Much like a surgeon, the actor’s job requires full commitment and concentration—professional work you are being paid to do. Everything else can be dealt with once the day’s work is done and you leave the work environment. Love the work, commit to it, show up early, stay responsible and accountable for it, always uphold a high artistic standard, and leave everything else at the door."

37.

“The actor must see, hear, taste, feel, and say what others may not be willing to. This lies at the heart of our art: truthfully bringing life to circumstances often far removed from our everyday experience. To do this, you must embark on a quest—one that may require unlearning what you've been taught in order to approach a character with understanding and empathy, not judgment. This process can be uncomfortable, as it asks you to shed conditioned beliefs and remain open to new perspectives, rather than clinging to what others have told you to think, feel, or express. Ultimately, this work evolves us not just as artists, but as human beings.”

38.

“One of the greatest tragedies an actor can face is the desperate, unrelenting search for that special something they’ve always had within them. It’s you! The answer has always been you! You are the magic, the magnificent, the remarkable, the intriguing, the one of a kind—you are the worthy, the deserving—you! It’s you! You are the ‘blue checkmark’ you’ve been searching for!”

40.

“No one ever said it was going to be easy. There are going to be seasons of strife and struggle. But it is from those accumulated moments that your greatest creative inspirations will arise. No matter what life may throw at you… no matter how many times life may knock you down… no matter how often life may cause you to fall or fail… I urge you to use every ounce of passion burning within your life force and get up! Keep getting up until you can no longer get up. If you keep persevering, if you keep believing in what you are doing, if you simply do not give up, you will find that all that hardship will pay it forward by bringing something inexplicably magical into your life. Every hardship plants the seed for a transformative victory.”

41.

“When we are truly seen and heard, we often begin to hide—whether consciously or unconsciously. Our defense mechanisms kick in to shield us from the discomfort of having our authenticity witnessed. We start presenting only the parts we want the world to see, rather than revealing what’s really going on inside. That inner voice—the conditioned habit of ‘should be,’ ‘needs to be,’ ‘has to be’—wants to protect us. But if it wins, the real you disappears. Often, just as we try to let go, the part of us that wants to control, plan, or predict slips in. But you must choose to let it go. When the controlling part of you takes over, emotional spontaneity dies. But when you surrender, something more honest, raw, and alive—something deeply human—emerges.”

42.

“This business isn’t one big cold read—maybe at an audition, but not on the job. In 99.9% of professional acting jobs, you're expected to show up prepared and ready to deliver what you were hired and paid to do. So why in the world would any serious actor train with anything less than the same level of commitment and accountability the industry demands? Don’t be lazy. Train like you already have the job. Take it seriously. If you want to be an actor, you have to love the work of being an actor, because you’ll never not have to do it. Read the text, break it down, do your research, build the life, learn your lines, show up on time, and do whatever it takes to live fully, freely, and truthfully with your scene partner(s) in the world of the givens. In short: do the work for what you say you want.”

43.

“If we plant a seed in the ground with the intention of it growing into a majestic oak, we must nurture and water that seedling for it to thrive. Without that care, nothing happens. A doctor who stops learning will struggle to keep up with the ever-changing health challenges and complexities humanity faces. Similarly, an actor who stops learning, refining, practicing, and nurturing their craft is sabotaging their own potential, halting their growth. A professional actor never stops learning. A professional actor never stops growing. A professional actor never stops exploring, seeking, evolving, and expanding. Our craft requires constant cultivation in response to the ever-evolving circumstances and challenges that arise in life—and, by extension, in the stories we share through our chosen art form."

44.

“Beneath our many masks, the bumps and bruises of the human condition take refuge—yet paradoxically, what we try to hide is often revealed by the very mask we believe conceals it. Artists have always been lighthouses in humanity’s storms, illuminating our wounds and broken hearts. As actors, we reveal the full color wheel of the human condition through story(living)telling. Our medium entertains, yes—but more importantly, it reflects. It holds up a mirror that can help humanity move beyond what keeps it bound, constricted, and stagnant. Actors are the brave souls—the creative warriors—who willingly step into emotional warfare for the sake of mankind. No matter what the world throws at you, or how hard it tries to silence your voice, never—ever—let the artist within you die. The world needs you! You deeply matter! Blaze like the sun!”

45.

“Acting is like riding a rollercoaster. First, whether we realize it or not, we trust the ride is built on a solid foundation, with strong engineering, the best materials, and no loose screws—meaning we trust it’s safe to ride consistently and that we won’t fly off the tracks. Second, we consciously ride for the thrill—the euphoric excitement we get from the experience. In acting, the text is the track, the foundation, and your craft—all the preparation and tools you use—are the solid engineering and structure that keep you from flying off course. This allows you, the actor, to consistently ride the rollercoaster of extraordinary given circumstances, not gripping the safety bar in fear, uncertainty, or distrust, but with your hands held high, fully and freely embracing the moment-to-unknown moment thrill of the ride.”

46.

“When you are overly aware of your body, feel physically stuck, unrelaxed, or unsure how to behave in a space or scene, it’s often because you don’t truly know where you are. When we observe ourselves in life, we instinctively know how to exist within a specific environment—even an unfamiliar one—because our physical and energetic relationship to it is clear and specific. That’s why one of the most important questions you must ask yourself is: Where am I? Do not answer this generally. Generality is kryptonite for the actor. Explore it. Particularize it. Endow it. Form a clear relationship to it—even if the environment is unfamiliar to the character, it must not be unfamiliar to the actor. Understand that where you are informs who you are, shaping how you instinctively behave—and why.”

47.

"Laser-focus your attention on what you truly want. Actively pursue it with inspired action. Apply unrelenting will, no matter what challenges or obstacles arise. Believe beyond any doubt that you can—and will—and are—achieving it. Use the power of your imagination to create what you want to see outpictured before you. Transform your inner world so your outer world can transform. Don’t worry about how it will happen or when—just live each day with the feeling as if it has already been fulfilled in your life. The Universe is listening. It’s waiting to meet you right there on the path of every single one of your creative endeavors."

48.

“Studying the craft of acting—no matter where you are on your artistic journey—doesn’t make you a beginner; it keeps you from ever being one. Our art form is cumulative. It evolves endlessly, just as life does. There will always be the confrontation of the unknown. That’s why you must bring unwavering commitment and deep devotion to your craft—because the learning never ends. Ever. And yet, what so often holds us back are the self-sabotaging reasons behind our ‘I can’t’: the excuses we keep making, the ones we tell ourselves and believe, the ones we offer to others, and ultimately, the quiet truth those excuses reveal—that maybe we never truly wanted it. In the end, only you know the truth. Only you know the actor you want to be."

49.

“The actor must find and own their light—not just the spotlight, but that inner, passionate, creative fire—and never let it dim. Like a lantern, the strength of the flame within determines the brightness of the light that shines outward. The world has always been drawn to the magnificence of the fire, not the smoke left in its wake. Be the flame, not the smoke. Never question your worth or your right to be here. Own your presence. You are meant to be seen, to be heard, to be witnessed. Stop waiting for permission. Claim your birthright. Be the artist you were born to be. Step into your light—and let the world witness the artistic illumination that shines brightly from your soul. Be the artist you know you are, and never settle for anything less.”

50.

"First, read the text as an audience member to learn the story—then read it again. And again. And again. Notice any visceral responses, and write them down. Then shift to your character’s perspective—how they see and move through the world. Read it again and again from that lens. What comes up? Write it down. Then read it as if their perspective is fully yours. Let it marry your soul. Own it. What surfaces? Write it down. Keep re-reading. Throughout every read, continue breaking down the text for non-negotiable facts—the full spectrum of given circumstances that shape the world. Be specific. What do you say about yourself? What do you say about others? What do others say about you? What do you need? What do you want? What’s standing in the way? You must live truthfully within the writer’s structure. As you go, write in the margins: thoughts, images, associations, colors, memories, songs—whatever brings those circumstances alive for you. Don’t worry if it’s ‘right’ or ‘wrong.’ You may use it, you may not—but it all feeds your soul and supports you in behaviorally, psychologically, and emotionally living your character’s spine, moment to unknown moment, within the givens."

51.

“Don’t go for the laugh. When you do, you’re really sitting in the audience rather than living within the circumstances. Comedy is always about characters living within the complexity of circumstantial truth under the umbrella of its tone and style. Rarely do those circumstances feel humorous to the character. Simply respond with full commitment and without self-consciousness to the true nature of the action for what it is: to overcome the obstacle and do what you can to get the need met. Always play the truth of the circumstances, even when you’re aware of where the humor lives. The committed execution of the true nature of the action, attempting to overcome the obstacle, will allow comedy to emerge—if it is truly dealt with circumstantially. Think about life—rarely do we find our obstacles, struggles, or difficulties funny or want to be laughed at while going through them. We want to do all we can to overcome challenges and improve our present situation when faced with adversity.”

52.

"A.I. may be capable of many things—but it will never replace the human heart and soul. Actors, you are not robots. We are not extinct. You are very much human beings. Every human has struggled, suffered, and faced deeply human trials and tribulations. Every person has a story—and every story carries a history that shapes who we are, how we move and function in the world, and the motivated justification behind what we strive to get, achieve, become, and ultimately experience. We must be willing to see, hear, feel, taste, understand, and experience more than just our own small, civilian, everyday lives in order to truly embody the vast, highly complex lives of characters in unimaginable pain, great struggle, and high-stakes, extraordinary circumstances. And we must have the ability to lead with an open heart—and an unshakable willingness to dive into the raw, authentic flesh and blood of the human condition—in order to even begin to do that kind of profound work. This is the foundation of our work, and the key to living in human truth, moment to unknown moment, within those extraordinary circumstances."

53.

"The actor must embody the imagination, playfulness, and vulnerability of a child—while also holding the groundedness, discipline, and determination of a warrior. You must believe in yourself—not only when things are going ‘right,’ but especially when everything feels like it’s going ‘wrong.’ There will be moments when no one offers the support or validation you feel you need. That must be cultivated from within. Your inner ally must rise to the occasion—every time. Self-acceptance and self-love aren’t optional; they are essential foundations. Alongside your craft and technique, you must continually cultivate and claim these inner resources to show up fully and freely in your work—and to weather the inevitable highs and lows of a challenging artistic path. Strengthen your will. Nurture your confidence and sense of worthiness. Persist. Persevere. One day at a time, keep working toward the artist—and the person—you know you are and are meant to become. And above all: love and accept yourself. You are all you’ve got—and that is more than enough."

54.

"Imagination isn’t child’s play—it’s your profession. It’s what earns the paycheck. Imagination isn’t an escape from reality; it’s the power to temporarily and safely create a new one. Imagination is your groundedness. It’s the fertile soil where the seed of your talent takes root, blossoming into the truthful world we call 'story'. Your imagination is your science. It’s the chemistry set—the alchemy—that transforms words on a page into three-dimensional worlds filled with authentic behavior and fueled by raw emotion. It’s the key that unlocks doors others—because they are too ‘adult’—never even think about, resist, lack the ability, don’t have the desire, or even fear to open. Ever-evolving, it breathes life into your work, turning the inexperienced into the experienced. This is what the audience comes for—it’s why the ticket is purchased. Not just to spend their hard-earned money, but something far more valuable: the currency of their time. It’s their escape from reality, a chance to be immersed in a whole new world created by an entire creative team fueled by the magic of imagination."

55.

“There is no single ‘right way’ to get there. Teaching an actor that there is only one method is not only arrogant and misleading—it’s also stifling and limiting. A teacher’s role is to learn each actor individually and help bring out their talent by offering reliable methods that mirror life itself and resonate with that individual. It’s the teacher’s job to equip the actor with a myriad of tools so they can build their own toolbox to do the work. And it’s the actor’s responsibility to endow, humanize, and actively exercise those tools. The path—the way—may differ with every text and role. An actor should study a wide range of methods, techniques, and tools that mirror life, to discover what best serves their instrument and the demands of the role. The best way is whatever truly works—whatever leads to acting that is circumstantially truthful and convincingly alive. And if the actor isn’t currently acting, they need to be training—at a legitimate studio that holds them to real-world, professional standards—exercising their acting muscles and cultivating their craft. There is no room or time for laziness. So the actor must learn, learn, learn.”

56.

“There is nothing more fulfilling for a playwright, screenwriter, director, and ensemble as a whole than collaborating with talented actors and a creative team who are deeply committed, dedicated, devoted, and who uphold the responsibility of bringing a story to life with full authenticity. The ability to open one’s heart and soul to experiences beyond everyday life—to fully embody imagined circumstances, summon the stamina to live them truthfully, and then share them publicly—is a rare and courageous act—one that moves mountains in the souls of those witnessing the story. The good, the bad, the neat, the messy, the pretty, the ugly, the peace, the pain, the breakthrough, the breakdown—it all points to one essential truth: we all struggle, we all suffer, we all do what we can, moment by moment, to improve our present circumstances; we all try to survive in our own way, and we all love based on what we’ve experienced—both the love we’ve received and the love we’ve gone without.”

57.

"Do not worry about worry, and do not fear fear. Both are creations of your imagination—just like anything else that doesn’t exist in the here and now. What you fear or worry about exists only in an imagined future. When not rooted in immediate reality, worry and fear become a misuse of your imagination—a powerful, creative force. Why spend that energy on thoughts that don’t serve you or bring you peace and joy? Doing so only perpetuates what you don’t want to experience. When you dwell in those places, you distort and darken the present moment, casting shadows that block your inner light. Let’s be very clear: this is not the same as the instinctual fear or concern that arises in the face of real, imminent danger. That kind of fear is natural, primal, protective—entirely human and necessary. But outside of that, you have a choice. Direct the focus of your imagination toward what you truly desire. Invest your will, your thoughts, and your emotional energy into the vision of what you do want to experience—not into what drains or diminishes you. That is where your creative power truly lives—and how you use it in expansive, life-giving ways that bring you a more joyful, peaceful, and productive present moment."

58.

"The actor must be willing to stand up and face the music. There is no room for escapism in this kind of work. No hiding. No escaping. Our work doesn’t allow it. It demands your full presence—grit, glory, and all—unafraid to live truthfully within the specific circumstances of a given moment. Not some idea of it—what's actually going on. That kind of honesty is foreign—and even frightening—for many, because we’ve been taught, or allowed ourselves, to shape our 'truth' into socially acceptable norms. In doing so, we dilute—or even erase—what’s truly happening within us. The truth becomes filtered, sanitized, and so-called 'protected.' But our work is not about that. Not at all. Our work is about uncovering the truth buried beneath those polished, palatable norms that want to keep everything in neat little boxes or trendy Instagram captions. No. The human experience and its truth is messy, raw, and deeply uncomfortable. But the task is to get comfortable with that discomfort. In fact, this work demands that we live more truthfully than 'reality' itself. You’ve got to learn to live in that. To want to live in that. To take off the masks most are conditioned to wear. More truthfully than 'reality' itself. Imagine that. And that’s the big paradox. That’s the irony. But that’s what we do."

59.

“All the obstacles you face on the path to pursuing a dream are essential checkpoints—they test how deeply you truly want it. Make no mistake: there will be many twists and turns, not just in this profession, but in life. In times of few auditions, limited opportunities, or rejection after rejection, train your mind to see those setbacks not as dead ends, but as detours guiding you toward a greater personal destination. Don’t chase your dreams—anything chased naturally runs away. Instead, take committed, invested, heartfelt, inspired action, backed by productive sweat equity and anchored in purity of intent. Trust in the law of cause and effect; believe that you are the magnet of your life, and what you put out—if aligned with your vibrational frequency and fueled by the energy the task demands—will be matched by the universe. This isn’t wishful thinking; it’s natural law. It’s quantum. Just like planting a seed in the right soil, watering it, and nurturing it—there comes a point when an unseen and unknown life force takes over and creates the majestic oak. Trust in that process.”

60.

"There are forces that refuse to believe the arts are essential—forces that do not support the arts, that do not allow them to flourish as they are meant to, and that deny artists the financial compensation they deserve. But let’s look at the reality: when someone is ill or in distress, they turn to stories—on TV, in cinema, in theatre—or they find solace in music, painting, sculpture, or dance. People spend countless hours consuming what we create, because we do more than entertain—we offer healing, recognition, and comfort. We transform loneliness and isolation into connection and understanding. Through theatre, film, television, literature, music, painting, sculpture, and dance, we tell humanity’s stories; we reflect its truths and shape its dreams. The arts are essential. We are not replaceable by AI, and we are not expendable. Without the arts, the richness of the human experience is deeply diminished. You are essential. Artists have been central to human life since the first cave paintings, the first stories told around fires, and even in spiritual expression. Do not let anything rob you of your value or your profound contribution to humanity. You are important. You are needed. Let the challenges ahead ignite your light and drive it to shine even brighter."

61.

"Acting is not a mysterious or elusive practice. No—it is practical, tangible, and grounded. Every aspect of the craft of acting can be found in life itself. Life is the origin of this art form; acting is the mirror through which life is reflected. After all, life is the greatest masterclass in acting. If something does not align with the natural laws of life, it has no place in acting. Even in the realms of the supernatural, the fantastical, or the animated—whether on stage or screen—there must always be something deeply human at the core. The imagination may soar beyond the ordinary, but its source is always rooted in human experience. In short, acting is circumstantial action fueled by a character’s spine or super-objective. To act is behavioral—it is to do. When one fully engages in inspired, justified, and motivated action to overcome obstacles in the committed pursuit of an objective—a need, a want, a desire—while allowing whatever feeling or emotion arises to authentically and unpredictably emerge in the unknown gap of the moment, the work comes alive. All of this can be crafted to support the actor and create continuity across performances, while still remaining impulsive, instinctual, and as fresh as the first time. Acting is simple. The objective is simple. It is the importance of that objective—and the obstacle it faces—that creates the complexity. The complexity comes through the simplicity."

62.

"You cannot be a snowflake or a dandelion and expect to survive in this business—it’s simply too tough. Some might even call it ruthless. You’ll face countless moments of being repped and not repped, auditions followed by silence, being 'right' or 'not right' for the role, 'too young' or 'too old,' offers and rejections. You’ll encounter great scripts and terrible ones, those that do the work and those that are lazy, professionals and those that are less than professional, personalities that align and those that clash, direction that makes sense and direction that makes no sense whatsoever. There will be openings and closings, glowing praise and harsh criticism, financial highs and lows, support and the absence of it, energy and utter exhaustion. Through it all, you must maintain your equilibrium. Save the dramatics, the tantrums, and the vulnerabilities for when—and only when—they’re grounded and appropriate within the circumstances of the text. Outside of that, you must remain resilient and preserve your mental and emotional balance. The great paradox of this profession is that you are your business—your instrument is the 'product.' And yet, you cannot take everything personally. You must take it professionally. Don’t let your child self take the reins. Let your professional self take care of your actor self. That’s how you survive."

63.

"You must read. And read. And read. Stop mindlessly scrolling and read plays, screenplays, radio plays, novels, poetry, fiction, nonfiction, fantasy, biographies, sci-fi, self-help, textbooks, newspapers, magazines—even the dictionary or an old-school telephone book. I don’t care what it is—you must read. And don’t read it as literature. Get it off the page and give it life. Every day, spend at least ten minutes reading out loud with the intention of lifting the words off the page and making them breathe with aliveness. Give them a point of view, and make the words physical—behavioral. Commit to them on a personal level, and see where they authentically take you. Read the most ridiculous thing if you have to—even the entire 'Smiths' section of the phone book. Because when you do, you're not just reading; you're training. You're working your muscles for table reads, cold reads, instinctual interpretation, personalization, action and intention, point of view, arc of thought, breath support and stamina, voice and speech, articulation, concentration and presence, imagination—and yes, even your emotional and feeling life, if you stay open to what arises organically. So stop scrolling and read. It’s something you will never not have to do as an actor. Why in the world would you ever let that muscle weaken?"

64.

"Introversion in an actor’s personal life is nothing to be ashamed of—nor does it make one any less of a performing artist. Many of the greatest actors—past and present—have been introverts. They’ve often felt ‘different,’ like the black sheep in the herd, out of place in a world shaped by the many surface-level masks created by social norms. With a sensitivity that runs deep within their soul, they perceive and experience life through a more nuanced lens. Their solitude isn’t loneliness, but a space of energetic preservation—where they feel comfortable in their own skin, nurture and expand their creative spirit, and explore life’s profound questions. They conserve their energy and brilliance, choosing to share it when it matters most to them: on stage, on screen, in those extraordinary, luminous moments. In performance, they live in the truth of their soul, offering something raw, real, and transcendent—something truly worthy of being seen, heard, awed, and celebrated by an audience. And perhaps the greatest gift of the introverted artist—beyond their innate talent—is this: their ability to connect with others not in spite of their introversion, but precisely because of it."

65.

"Let nothing compromise your authenticity. You are you. That’s enough—more than enough. Make your own footprints rather than following the path of others’. The mold that made you is already broken. Celebrate the fact that no one can replicate who you are or what you’ve got. Where there are cracks, let your light shine brightly through them. Let nothing get in the way of what you set out to do—what your soul already knows it is meant for. When you face monumental obstacles, become a climber—find your grip and make your way to the top of that mountain. Be the mountain climber of your dreams. Be the calm conqueror of obstacles. Dream big. But don’t let the dream stay in the dream state. Work smart, with clear and specific intention, with commitment, and with inspired action. Let the passion in your heart and the fire in your belly be the fuel that keeps you moving forward—despite everything 'out there' that tries to hold you back. Be the CEO of your life. And when fear or doubt knocks on your door, don’t hide. Invite it in. Stare it down. Then invite it to dance. Let it lose its power over you. Waltz with it long and hard until you exhaust the hell out of it. Let nothing—and I mean nothing—crush your creative spirit. Don’t wait for someone else to believe in you. You must be the one who believes. Persevere like the creative warrior you are!"

66.

"You know you are on the right path—the right pursuit, the worthy sweat-equity journey—when your talent is fueled by a deep passion for the work. When you're truly committed, fully invested, and devotional. When you love the work and love doing it—in preparation at home, in rehearsal, in the space, and in performance. When it doesn’t feel like a choice, but a calling. When your heart and soul are all in. When you say ‘want to’ instead of ‘have to.’ When excuses no longer exist in your behavioral vocabulary. When self-discipline and accountability are your only way of being. When you always find a way—no matter what. When you don’t fear the struggle or feel intimidated by the journey’s ups, downs, and detours. When you keep going because it means something more—because there’s a mission behind it all. When you hunger to grow, to stretch, to evolve. When you seek out others who are willing to walk the path with the same conviction. When you're always willing to create, to imagine, to dream. When you just know—when you just are—it shows. It’s in the soul behind your eyes, in the fire burning in your heart. That kind of artist is unmistakable. That kind of actor—that kind of human—will go far. Not because of ego, but because of purpose and the purity of intention. That’s when you know: you are on purpose. And if you truly are—it will happen."

67.

"Your life—and what you choose to do with it—is your responsibility. If you’re going to commit to what you say you want, then truly commit. Do it! Don’t make excuses. Don’t hold yourself hostage to your own progress with stories that keep you stuck. Stop making convincing, self-sabotaging excuses that you choose to believe because they come from your own inner voice. Don’t give yourself reasons why you can’t—find ways so you can, like anyone truly invested in what they want. Hold yourself lovingly accountable for the life you want to experience during your short time on this beautiful, spinning sphere. Time is limited. Tomorrow is not guaranteed. Start now! Stop waiting! No one is going to do it for you. No one is going to make your life happen. Your dreams weren’t meant to live in the dream-state forever. Take inspired action! Give yourself the gift of discipline—one of the greatest expressions of self-love. It’s you! It’s all you! You’re booked for the role of your life. You got the job. The contract is signed. Sealed. Delivered. This is the biggest role you’ll ever play—your own life. Have a productive mindset. Don’t underestimate the magnitude of that. Don’t let it go to waste. And do not co-sign that contract with your saboteur. Because trust me—that sly little devil of excuses and self-sabotage knows exactly how to knock you off course. Remember who you are. Remember what you are. Start now!"

68.

"The fear of obstacles is the greatest obstacle you face. It’s not the struggle itself—it’s your resistance to struggling that holds you back. That’s the real issue. You’ve come to see struggle as a flaw, a sign of weakness, but that’s simply not true. Life is full of obstacles—they are inevitable. Wherever there is life, there will be curveballs, trials, and tribulations. Struggles are not roadblocks; they are guided, necessary detours—an essential part of the path toward your unique destination, which may or may not look the way you originally envisioned. Within every obstacle lies the potential for its own solution, its own opening. Every locked door has a key. The key may not appear in the form you expect, but if you remain open to the innocence of discovery and release your resistance, you’ll begin to see it. Struggling is not weakness—it is strength in motion, a vital ingredient for growth and ability. Strength isn’t revealed through what comes easily. True strength lives within the very struggles you’ve labeled as ‘weakness,’ waiting to be called upon."

69.

“We must understand that our craft is not solely about the artistic side of our work—it’s also about how we live our lives. Our well-being directly affects our ability to lead happy, healthy, and prosperous lives, and to remain resilient in the face of the challenges that life and this complex business bring. We need the consciousness not only to endure the industry but also to stay open and available to the creative demands of our art. Everything exists at a frequency. This begins and ends with the mind, which acts as an antenna—tuning us into the frequency of the life we wish to experience and broadcasting it outward. It’s no different than tuning into a specific TV channel or radio station. Don’t like the station? Change the channel. When you feel out of tune or stuck in a lower frequency, take inspired action and shift your inner world. Close your eyes, enter your imagination, and fully see and feel the experience you desire—rather than what you fear or worry about. Stay there until it feels real, as though you are already living it. Embody that frequency, and when you open your eyes, strive to remain in that state as you move through your daily life. Change your inner world, and your outer world will begin to reflect it. This is no different from how we prepare for a role: we build an inner life so we can live the character’s life truthfully, moment to unknown moment, within the given circumstances.”

70.

"Acting asks us to look at the human condition in a way that does not allow for a pretty little filter to be placed over what life truly holds. Life contains a series of struggles, trials, and tribulations—and for many people, a great deal of suffering. As actors, we must examine that reality with a magnifying glass and then find it within ourselves in order to reveal it, to live it fully in the space. And that is not for the faint of heart—it is reserved for truly fearless artistic warriors. As actors, we have to be okay with allowing our instrument to experience discomfort. We cannot shy away from it, because that very discomfort is the essential ingredient to fulfilling the most complex realities of the most complicated circumstances. Our discomfort is pregnant with the substance needed in our work—it is part of the 'answer,' and in fact, a huge part of it. We must be courageous enough to step out of our 'safety blanket' and into the raw reality of that discomfort, as if we are artistic warriors. Through our instrument, we become the vessel to live the most complex, complicated, and even inexplicable essence of the human condition in a deeply public way. But that kind of bravery must be consistently and safely explored, cultivated, and practiced—never avoided. You must confront it in the moment and work through it in the moment. It does not magically appear when you step onto the stage or in front of the camera—you need to be prepared for that moment. That is how and why we continually train, deepen our craft, and expand ourselves—so we are ready to do the necessary work when professional opportunities arise."

71.

"Artists are powerful. They always have been, since the beginning of time. We all come from a creative source, and the artist works directly from that innate well of wisdom and creative source energy. They do not surrender the keys to their minds in exchange for conditional thinking. Instead, they think freely, explore deeply, perform courageously, and reveal the truth behind countless masks—dismantling illusions and, dare I say, the effects of societal brainwashing. They do not simply accept what they are taught or told; rather, they learn through lived experience and their own unique lens, seeking alignment with truth and sharing that truth with the world through their work. Their aim is not rebellion, but to open new possibilities of awareness and inspire an awakened, conscious evolution toward a better tomorrow. Art is meant to free us from the enslavement of our own mind’s limited conditioning. It generously invites us to liberate ourselves within the creative process so that we may come to experience the true depth of humanity’s heart and soul. That creative journey becomes the spark that compels the actor to share what they have discovered—using their mind, body, heart, and soul as a one-of-a-kind expressive instrument."

72.

"You can’t always be wavering about whether you’re good — you have to know that you are good. You can’t wonder if you have the right to be seen and heard — you have to know that you have that right. You can’t keep questioning whether you should be doing this — you have to know you are meant to be doing this. You can’t contemplate your worth or whether you're deserving — you have to know that you are both worthy and deserving. No one can adjust your belief system for you — you have to tune it up yourself. You have to be the knower. You see, it is your underlying fear and doubt that are responsible for this unceasing battle — not your ability. Being an artist means knowing what you're here to do — and why — and then never letting anything or anyone, including yourself, shake the foundation of belief you hold in yourself, and for yourself, as the incredible artist you are, and that deep-rooted love you have for the craft of acting. That belief and that love are what will carry you through all the ups and downs. But you have to really want it, really love it, and truly believe in yourself — in mind, body, and spirit. That is the only validation you need, and the only one that lasts. That — that is what keeps you in the game."

73.

"One of the biggest misconceptions about acting is the idea that preparation somehow limits your ability to be truthful, instinctive, and impulsive in the unknown of the moment. Some people say, 'Just wing it and whatever happens happens’, but that’s utter nonsense—irresponsible, unprofessional, and often just an excuse to be lazy. The truth is, preparation—your craft—if understood and applied properly, tangibly and humanistically, allows you to do exactly what people think 'winging it' will achieve, but with true artistic skill, within the givens of the text, and the ability to live truthfully, instinctively, and impulsively in the unknown of the moment without hoping, wishing, or depending on luck. This preparation also grants you the consistency and continuity to perform eight shows a week or deliver sixteen takes in a row. If your technique stifles your ability to do that, then I’d argue it wasn’t taught or exercised as properly as intended. Craft, when properly cultivated, liberates the actor—it doesn’t restrict them. The craft you develop mirrors what exists in life and must therefore exist within the life of your character, under their unique circumstances. That life unfolds through the character’s spine, shaped by their lens of perception and their filtered listening based on their wants and needs. Let’s be clear: how you respond to everyday circumstances is not necessarily how your character would respond to theirs. It’s not about replicating your own experiences; it’s about inhabiting a different set of circumstances and reacting in a way that is true to the character’s reality. So do your work, know your lines, show up on time. Period."

74.

"Each of us has our own story of strife and struggle, and each of us holds the potential for a well-earned and awe-inspiring victory. Sometimes, you have to walk through your very own Hades in order to reach your very own Utopia. You may have to endure a lot along the way. You may even find yourself suffering at times. But if you keep persevering—if you keep going, keep believing in yourself and in what you’re meant to do and be, if you simply refuse to give up—you’ll find that every hardship ultimately pays forward by bringing something profoundly fulfilling into your life. There may be moments when you want to cry because it hurts so badly, but then you may want to laugh until you cry, because you finally got through it. Once you emerge from the purifying fire, you’ll see all the beauty that was hidden within the ashes. But first, you must be ready to tear down the walls that keep you boxed in by limitation. So do it. No more clinging to the comfort of the familiar or the residue of the past. No more strain, and no more being smothered by self-doubt or fear. You’re ready to move on. Walk over all that wreckage in gratitude for what it taught you, but don’t fall backward. Keep moving forward. Don’t worry about how others did it. Focus on creating your own path. Honor it. Own it. Hold yourself accountable for it. Move forward step by step based on what you truly want—not how or when it's supposed to happen, and not what it’s supposed to look like. Just intend, take inspired, motivated action with ease, and believe as if the life you want is already your present reality—then live that life."

75.

"Getting useful, insightful, and productive notes about your work is like adding a five-pound weight to your workout—you don’t add extra weight to cause injury; you add it to build a specific muscle. But first, you have to know which muscle you're working in order to strengthen it. Then, you have to want that muscle to grow. And finally, you have to actually do the workout. If you resist the note—if you resist the process—the ego grows, but the muscle doesn’t. And the most important time to lean in is often when you find every reason not to. Listen, there will be moments when you feel like throwing in the towel—when giving up feels easier than enduring the growing pains that come with artistic evolution and expansion. When those moments arise, remember this: the ability to break through already lives within you. Greatness lives in you. It has to be in someone—why can’t it be you? It’s there, waiting for the opportunity to be called upon and expressed. Stay focused, stay intentional, and above all, don’t give up. If others do, that’s not your story. Hold yourself accountable to keep learning, growing, and expanding beyond what you’ve been conditioned to believe were your limitations. Choose to cultivate your craft with the lifelong commitment it deserves. Stay passionate. Stay hungry. Work with joy toward the innate artistic mastery that allows your talent to soar—the part that brings raw, truthful, interesting, exciting, and undetectable work to the stage and screen. So give yourself the gift of being brave and open enough to go through the process. Let those growing pains pay off."

76.

"As storytellers—story-livers—we reveal Life through the structure and safety of the given circumstances provided by the writer, who has birthed a skeleton—a framework of potential—onto the page. It is our responsibility to breathe our unique life-force into that two-dimensional form and lift it into fully realized, three-dimensional Life—a full human being. This is not optional for the professional actor; it is our job, our obligation, and what we are trusted—and paid—to do. We do not irresponsibly reshape the givens to fit the comfort of our everyday civilian experience; instead, we must rise to meet the expansive world within those givens, discover that world within ourselves, and fully live that life on stage or screen. Our work lies in understanding the character’s reality as intimately as we understand our own, attending to essential details such as time period, environment, socio-economic background, education, dialect and speech patterns, psychology, political, religious, and spiritual beliefs, morals, likes and dislikes, wardrobe, hairstyle, personal objects—and, of course, their relationship to love (received or unreceived) and to survival. These elements formulate the character’s spine and arc, shaping how they relate to others and their environment, how they perceive the world, how they energetically listen, how they act, how they behave, what they want, need, and desire, what they are up against, and the boundaries and limits of how far they will go to get what they seek. Once we’ve done this work, we must trust that the full endowment of this Life exists within us, using whatever pathway gets us there to truthfully and authentically live, moment to unknown moment, within those given circumstances."

77.

“Be thoughtful, mindful, and discerning about who you share your dreams with. Quiet conviction is the foundation of true manifestation. Let me explain. When we speak our dreams aloud to those who aren’t aligned with the same creative beliefs, intentions, or principles of manifestation, their doubts—even subtle or well-meaning—can weaken our innate belief. Often, with love and good intentions, many will try to bring us ‘back to reality.’ This makes it harder to stay anchored in the state of the ‘wish fulfilled,’ to move through life rooted in the knowing that what we’ve imagined is already done. Michelangelo didn’t need to justify the slab of marble as David; he simply saw what he already knew to be true. An acorn doesn’t explain it’s a great oak. The caterpillar doesn’t announce it’s a butterfly. The coal and the sand don’t declare they’re a diamond or a pearl. They simply allow their inner being to transform into their outer existence—quietly, faithfully, in alignment with their nature and inspired, easeful, instinctual action. The universal, cosmic, unseen, and unknown forces do the rest. You’ve already planted the seed of that magnificent dream inside you. It deserves space to root and grow—free from interference. You don’t need permission to dream, validation to feel sure it is ‘right,’ or applause to keep pursuing. True manifestation unfolds through inspired action and quiet, unwavering trust in the unseen universal forces—just as the ocean creates great waves, without announcement. This isn’t about secrecy; it’s about an intimate relationship between you, your consciousness, the creative power of your imagination, and the same universal forces behind every thought and idea ever manifested.”

78.

"It’s easy to feel like a 'master' when you think something doesn’t—or no longer—apply to you. When you’re sitting on a red velvet chair, watching from the outside—observing a class, a scene, sitting in the audience, criticizing from a comfortable distance. But actually doing the work, fully inhabiting it, consistently, day in and day out—that’s another story entirely. Anything truly 'mastered' requires the master to always remain a student. That’s the great paradox for the actor—but also the essence of real mastery: a lifelong journey as a student in the masterclass of the 'Artist Life’, an ongoing opportunity to grow, refine, expand, and evolve. Very often, when we believe there’s nothing left to learn, our focus begins to drift. We tell ourselves, 'I’ve got it.' But that’s quicksand. That mindset marks the beginning of stagnation—the beginning of the end. You might say, 'I got it’, but why would any true artist want to create an endpoint for themselves? Never let yourself grow numb or drift away from what must constantly be cultivated and exercised. And when those moments arise—when it feels like you’ve got it all figured out—it doesn’t mean you’ve arrived. It means you’re just beginning—that there’s something deeper to explore, or something you’re resisting. Something you’re not yet willing to confront, invest in, or grow from. Don’t sabotage your highest potential by convincing yourself there’s nothing more to learn or cultivate in each moment of life, study, and practice. The point is to learn—always. Never become so complacent that you think, 'I’ve figured it all out,’ because this craft doesn’t work that way. As long as you are alive, you should be striving—to grow, to expand, to deepen—to become the best artist you can be. Better than you were yesterday. You must remain vigilant. Stay rooted in the art of listening. Keep your focus sharp and your awareness alive. Every moment you live as an actor is a chance to strengthen something in your craft. Treat it that way. When most exclaim, 'I’m done!' the true creative warrior—the true artist—says, 'I’m only just beginning.'"

Copyright © 2025 Mario A. Campanaro, All rights reserved."